Eksplorasi Decorative Trims pada Busana Evening Goown
DOI:
https://doi.org/10.55681/nusra.v5i3.3126Keywords:
Fashion, Decorative Trims, Evening Gown, BeadsAbstract
Fashion over time undergoes a change in function. In the past, fashion was used as a protector and body covering, but nowadays fashion has an additional function, namely as an expression of art and self-expression. Fashion is used as a material for creativity in the rich creation of fashion designers. Clothing has various types, one of which is evening gown. In the process of making fashion, a fashion designer has a reference as inspiration in fashion making. The sea is one of the natures that has abundant wealth starting from fishing, pearls, and all kinds of shellfish. Decorative trims with fish scales and collar motifs adorn all parts of the fashion. The method in this research is a research method with a three stage design process approach for textile product design projects. The method in this research is a research method with a qualitative approach, using the double diamond method which consists of 4 creative processes, namely the discover, define, develop and deliver stages. The results of the research are the shape of fashion with silhouette I with decorative trim on all parts of the dress.
Downloads
References
Andari, M., & Yulistiana, Y. (2020). Gaun Malam Futuristik. BAJU: Journal of Fashion & Textile Design Unesa, 1(2), 118–127. https://doi.org/10.26740/baju.v1n2.p118-127
Annissa, R., & Ruhidawati, C. (2018). Combination of Feather and Faux Leather As Decoration Trim in Mermaid Dress. Fesyen Perspektif, 4(1), 2–23. https://ejournal.upi.edu/index.php/fesyen/article/view/12922
Darmawan, D. (2019). Indonesia. Journal of Chemical Information and Modeling, 53(9), 1689-1699. https://doi.org/10.1128/AAC.03728- 14
Febrina, R., & Ratyaningrum, F. (2024). PENGEMBANGAN BUkU TUTORIAL PERMAINAN PAINT AND RUN UNTUK PEMBELAJRAN MATERI RAGAM HIAS DI MAN SIDUARJO. Jurnal Seni Rupa, Vol. 12 No. 1, Tahun 2024, Hal 51-65 http:/e/journal.unesa.ac.id/index.php/va
Indonesia Fahion Chamber. (2022). INDONESIA FASHION TREND 2023-2024: CO-EXIST. Diperoleh 13 Mei 2024. https://buletintekstil.com/2022/11/15/indonesian-fashion-trend-2023-2024-co-exist/04/02/29/6418/
Ginting, M. (2023). Indonesia Negeri Yang Kaya Akan Mutiara Laut Selata Terindah Didunia. Dipeoleh 13 Mei 2024, dari https://www.goodnewsfromindonesia.id/2023/10/30/indonesia-negeri-yang-kaya-akan-mutiara-laut-selatan-terindah-di-dunia.
Indarti, & Anggi, P. (2021). Penerapan Seamless Tucks pada Busana Pesta dengan Tema The Gray Hole, JURNAL TEKNOLOGI BUSANA DAN BOGA 9(1), 7–13. https://journal.unnes.ac.id/nju/index.php/teknobuga/index
Indranti. (2020). Metode Proses Desain Dalam Penciptaan Produk Fashion dan Tekstil. BAJU: Journal of Fashion & Textile Design Unesa. 1(2). 128-137. https://doi.org/10.26740/baju.v1n2.p128-137
Jasmine, A., & Marniati. (2020). Penerapan Crinoline sebagai Bahan Pelapis dalam (Interfacing) pada Rok Busana Pesta Bertema Fluffy. BAJU: Journal of Fashion & Textile Design Unesa, 1(2), 99–107. https://doi.org/10.26740/baju.v1n2.p99-107
Kamalina, R.. (2022). Kekayaan Laut Indonesia Hampir Rp20.000 Triliun, KPP Beri Penjelasan. Diperoleh 13 Mei 2024, darihttps://ekonomi.bisnis.com/read/20220729/99/1560541/kekayaan-laut-indonesia-hampir-rp20000-triliun-kkp-beri-penjelasan.
Muridan. (2018). FENOMENA FASHION DALAM PERTARUNGAN IDENTITAS MUSLIMAH. YINYANG: Jurnal Studi Islam, Gender Dan Anak, 13(2), 258–307. https://ejournal.uinsaizu.ac.id/index.php/yinyang/article/view/2105
Pangestika, G. (2017). Pesona Alam Sebagai Ide Penciptaan Karya Seni Lukis - Digilib. UPT Perpustakaan ISI Yogyakarta . http://dx.doi.org/10.1016/j.chb.2016.05.008
Patappa, M. (2019). STUDI TENTANG PEMBUATAN DESAIN MOTIF BATIKLONTARA.COM. JURNAL IMAJINASI, 3(2), 36. https://doi.org/10.26858/i.v3i2.13038
Puspitasari, F., Amalia, A., Rahma, Y. (2023). Adaptasi Visual Momiji dengan Teknik Crochet pada Produk Fahion. Jurnal Rupa 8(1). 51-58. http://journals.telkomuniversity.ac.id/rupa/article/view/5865
Shobriyah, N, & Eman, A. (2021). APLIKASI ORIGAMI BATIK PEKALONGAN SEBAGAI DECORATIVE TRIMS PADA BUSANA PESTA. Jurnal Da Moda, 3(1), 27–35. https://doi.org/10.35886/damoda.v3i1.216
Sitohang, O., & Suciati. (2023). Color Art Fashion Digital Printing Dengan Sumber Ide Karakter Tresillo. Jurnal TANRA. 10(2). 81-90. https://doi.org/10.26858/tanra.v10i1.42853
Syaani, A., & Wahyuningsih. (2023). penerapan teknik anyaman dengan kain linen pada busana pesta malam. Journal of Fashion & Textile Design Unesa. Fashion, 1, 128–137. https://doi.org/10.26740/baju.v1n1.p1-9
Sucianingtyas, D, & wahyuningsih, U. (2023). Journal of Fashion & Textile Design Unesa. Fashion, 1, 128–137.
Vera, G. Suartini, Sudirtha, I Gede., & Angendari, Made Diah. (2021). Penerapan Hiasan Payet Pada Busana Pesta Berbahan Batik Motif Merak Abyorhokokai. Jurnal BOSAPARIS: Pendidikan Kesejahteraan Keluarga, 12(3), 88–96. https://doi.org/10.23887/jppkk.v12i3.37470
Yuliarma. (2016). The Art Emdroidery Design: Mendesai Dasar Bordir Dan Sulaman. KPG (Keperpustakaan Populer Gramedia)
NARASUMBER
Alice, Salindra. Hasil Wawancara Pribadi: Juli 2024. Designer
Tenya, Nufa. Hasil Wawancara Pribadi: juli 2024. Model dan peserta Miss Mega Bintang Indonesia 2024
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Asril Ayu Lestari, Astuti
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
