Pergeseran Tradisi Bagurau Lapiak di Payakumbuh: Tradisi Klasik ke Modern
DOI:
https://doi.org/10.55681/jige.v5i2.2840Keywords:
Bagurau Lapiak, Drummer, SaluangAbstract
Bogurau lapiak was originally a saluang dendang performance held in a shop with a mat and has been around since the 1980s. The performance is performed by senior drummers with one saluang, two drummers, and one janang / arranger of the performance. Today, the lapiak joke has shifted. The most noticeable shift can be seen from the drummers who fill the show are generally backgrounded as solo singers. They lack the skills and repertoire of classical saluang songs. The songs that are widely presented in bagurau lapiak performances now are dangdut songs, minang pop and gamad songs. This situation made senior drummers, rangers and laceurers worry about the loss of classic saluang songs. The presence of the lapiak bagurau show players is caused by several factors, namely, 1) economic factors, 2) technological factors and 3) market taste factors. This study used qualitative research with descriptive analysis methods. Data collection is done by observation, interviews, and documentation.
Downloads
References
Adirozal. (2011). Model Pendidikan Seni Ukir pada Sanggar Tradisional Pandai Sikek Kabupaten Tanah Datar. Padang: Disertasi Universitas Negeri Padang.
Astuti, Y. (2007). Fungsi Saluang Dangdut Dalam Konteks Upacara Baralek Kawin di Kanagarian Balimbiang Kabupaten Tanah Datar. Padangpanjang: Skripsi STSI Padangpanjang.
Aulia, N. (2008). Fenomena Orgen Tunggal dalam Konteks Acara Baralek Kawin di Minangkabau. Padangpanjang: Skripsi STSI Padangpanjang.
Chaniago, E. (2006). Saluang Di Minangkabau, Pengelolaan Seni Rakyat Secara Individual. Telisik Tradisi Pusparagam Pengelolaan Seni: Kelola.
Desmawardi. (2001). Saluang Dangdut: Bagurau gaya Rantau Minangkabau di Pariaman Sumatera Barat. Yogyakarta: Tesis. Universitas Gajah Mada.
Endraswara, S. (2006). Metodologi Penelitian Kebudayaan. Yogyakarta: Gadjah Mada Univercity Press.
Hadi, Y. Sumandiyo. (2012). Seni Pertunjukan dan Masyarakat Penonton. Yogyakarta: BP ISI Yogyakarta.
Huberman, M. B. (1992). Analisis data Kualitatif. Jakarta: Universitas Indonesia.
Idrawati, Y. (2007). Pertunjukan Saluang Dendang Dalam “Bagurau Lapiak di Pasar Payakumbuh. Padangpanjang: Skripsi: STSI Padangpanjang.
Oktavia, R. (2012). Bagurau Oyak Dalam Konteks Saluang Dendang di Kabupaten Lima Puluh Kota. Padangpanjang: Skripsi.
Proehoeman, S. C. (2006). Dendang Darek: Alternatif Pengembangan Cara Menyanyi Tradisional ke Cara Yang Sesuai Dengan Kaidah Fisiologi. Yogyakarta: Disertasi Universitas Gajah Mada.
Rustim. (2010). Interaksi Sosial dalam Pertunjukan Tradisi Bagurau Saluang Dendang di Minangkabau. Yogyakarta: Tesis Universitas Gajah Mada.
Semiawan, C. R. (2010). Metode Penelitian Kualitatif. Jakarta: Grasindo.
Simatupang, L. (2013). Pagelaran Sebuah Mozaik Penelitian Seni Budaya. Yogyakarta: Jalasutra.
Yelli, N. (2012). Pertunjukan Saluang Orgen Pada Masyarakat Nagari Salayo Kabupaten Solok. Padangpanjang: Tesis Institut Seni Indonesia Padangpanjang.
Yunus, G. (1990). Studi Deskriptif: Gaya Penyajian Dendang Singgalang Dalam Tradisi Pertunjukan di Luhak Nan Tigo Minangkabau Sumatera Barat. Medan: Skripsi Sarjana. Medan. USU Fakultas Sastra Jurusan Etnomusikologi.
Yunus, Gitrif. (1992). Status Seni Pertunjukan Tradisional Dalam Pandangan Masyarakat Minangkabau. Surakarta: Surakarta: Seni Pertunjukan Indonesia. STSI Press.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Rina Oktavia, Ediwar, Asril, Rasmida, Jufri, Desmawardi
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.